• Latest
areyoulistening

Reclaiming Not Just Listening, But Listeners

1 year ago
iHeartRadio app

iHeartMedia Continue Video Push With Addition Of Video Podcasts To iHeartRadio App

1 hour ago
Fox Sports Radio

Jon ‘Stugotz’ Weiner To Join Fox Sports Radio As Part Of iHeartMedia Multiplatform Deal

2 hours ago
99.9 WFRE Frederick MD Connoisseur Media

Tom Whalen To Retire From Mornings At WFRE

4 hours ago
ADVERTISEMENT
1130 WISN Milwaukee

WISN Moves Benjamin Yount To Mornings; Adds Jason Goch

5 hours ago
San Antonio's 102.7 Jack-FM KJXK

Domain Insight 12/21: A Big Pre-Holiday Update With Potential Changes In San Antonio, Fort Collins, Palm Springs & More

20 hours ago
Alt 98.7 KYSR Los Angeles Woody Stryker Booker

Nicole Alvarez Joins Alt 98.7

1 day ago
FCC Seal 2020 Federal Communications Commission

FCC Report 12/21: American Public Media Accepts $86,400 Penalty For EAS Tones

2 days ago
1280 WGBF Evansville Townsquare Media

Townsquare To Sign-Off Evansville Talker

3 days ago
Nielsen Audio Arbitron

Nielsen November 2025 Ratings Releases 12/19

3 days ago
Cumulus Media 2018 Mary Berner

Debra Killick Rises To Cumulus Melbourne VP/Market Manager

3 days ago
Got News? Let us know at News@RadioInsight.com
RadioInsight
No Result
View All Result
  • Login
  • Register
  • Headlines
    • Format Changes
    • People & Places
    • Station Sales
    • FCC Applications
    • Domain Insight
  • Ratings
    • Nielsen Audio
    • Eastlan Ratings
  • Jobs
    • View Jobs
    • Submit A Job
    • Job Dashboard
  • Sean Ross
  • Subscriptions
    • Subscription Info
  • Contact Us
SUBSCRIBE
NEWSLETTER
RadioInsight
  • Headlines
    • Format Changes
    • People & Places
    • Station Sales
    • FCC Applications
    • Domain Insight
  • Ratings
    • Nielsen Audio
    • Eastlan Ratings
  • Jobs
    • View Jobs
    • Submit A Job
    • Job Dashboard
  • Sean Ross
  • Subscriptions
    • Subscription Info
  • Contact Us
No Result
View All Result
RadioInsight
No Result
View All Result
Sean Ross On Radio Insight RadioInsight

Reclaiming Not Just Listening, But Listeners

Sean Rossby Sean Ross
October 16, 2024
3

areyoulisteningIn 2014, when Edison Research released its first Share of Ear survey results, broadcast radio controlled 52% of all time spent with audio among 13+ listeners. For some within the industry, there might have been an expectation that the number would have been well higher in the past, but radio’s share actually grew in the second report . 

That trend didn’t last. In April, the most recent public Share of Ear data showed listening to “AM/FM radio” at 36%. In July, another data release showed broadcast radio at 20% among 13-22-year-olds, trailing both streaming music (37%) and music videos on YouTube (23%). 

As an radio advocate, I am excited about the 10% increase in listening levels from an anticipated change in Nielsen’s listening threshold that will grant quarter-hour listening credits based on three minutes of monitored PPM listening, not five. I’m also hopeful for what that change might do for formats based in current music, especially CHR and R&B/Hip-Hop, the latter of which never rebounded from the switch to PPM 15 years ago.

As with the Voltair-driven gains of a decade ago, the extra AQH generated by the new rule won’t change how people are using radio as much as make sure broadcasters get credit for the listening taking place now. That’s great. There’s no need for radio’s many interconnected challenges to be further exacerbated by measurement issues. I hope a projected 24%-more audience delivery will indeed improve radio’s relationship with advertisers.

But I want to reverse the trend line, too. Specifically, I want broadcasters to think about what would help rebuild radio’s Share of Ear. After a decade, broadcast radio’s 36% SOE is, at least among 13-plus, still larger than any competing choice. (We also have to consider that declining SOE could reflect new listening being created by other media, not just less radio listening.) But being “still the biggest single piece” isn’t something that allows over-leveraged broadcasters to be their best. Reclaiming SOE could impact how advertisers feel about radio and, as important, how we feel about ourselves.

Share of Ear services multiple constituencies. Podcasters regularly receive headlines about their industry’s growth. Westwood One’s Pierre Bouvard uses SOE data to make the “still the biggest piece” argument. Recently, Barrett Media’s Keith Berman complained about WW1 “cherry picking” the data to emphasize radio’s strength against the ad-supported piece of streaming services, but ignoring streaming’s overall inroads. I’ve pondered those same questions, but WW1 is absolutely right to demand that advertisers look at only where their message will actually run, rather than creating a halo for Spotify or other streamers based on, well, “vibes.”

But since those vibes still shake our world, broadcasters should consider how to not just better credit existing listening but create more usage. To view that as an unattainable goal is to confirm outsiders’ view of radio as the thing once listened to until something better came along.

I have said recently that if I could focus radio’s attention on only one thing, it would be consistently reducing spotload. It was based, in part, on the notion that only those choices involving existing cume were a realistic option. (WW1 believes that the three-minute rule will finally motivate radio to run more-frequent-but-shorter stopsets.) But what would create additional listening and listeners?

Marketing. If the gains prompted by a change in measurement improve our fortunes among advertisers, there are many things I’d hope for — more salespeople and restaffing on-air talent chief among them. But I also hope any revenue gains lead to increased marketing at the station level. And while recent attempts to market “radio” as a whole have often been clunky, it has still occurred to me that both R&B or Hispanic broadcasters have a story to tell in many markets on the sheer volume of their choices and might consider joint efforts. In that regard, our radio-aggregator apps are marketing too, when they’re done well.

Providing Choice. Although playlists and podcasts proliferate, radio’s circumstances cause it to take options away from the audience. The trick bag is clear — the 1.5 share that WCBS-AM ended with may not have made sticking with all-News viable, but in Market No. 1, that still represents a lot of listening that, at least in the first month, did not obviously accrue to sister WINS. If New York does not have Alternative or full-market Country, that listening no longer has to go to a second FM choice. Repatriating that listening matters, too. That’s another reason to better organize and market our apps — they allow every market to offer every format.

Reinforce “radio.” This one we can do for free on our own air. It can only help for listeners to consciously realize that they are listening to radio. After a decade of treating even our most-loved stations as audio brands that just happen to be on AM/FM, maybe it is time to remind people that they are listening to “Z100 Radio” or “K-Earth 101 Radio” wherever they happen to be hearing it. Edison already accrues that listening to AM/FM regardless of platform, but I still believe that asking users to remember that they are enjoying radio right now would make a difference in self-reporting and evangelizing.

The new generation of listeners. They’re not the ones who grew up with radio and drifted away. Theirs is a more benign neglect. What stations created for them would sound like is a column unto itself. (It would have to begin with asking what they want, which radio doesn’t.) But marketing radio, providing choice, and prompting listeners to report that the radio in their parents’ car was something they enjoyed, not merely endured, will make a difference with young listeners, too.

It is encouraging to think that radio’s 10% boost could lead to an improved advertiser relationship that makes it possible to reinvest in the product and create even more listening. It is concerning to think that radio will consider that 10% boost to be “mission accomplished.” There is also the specter of PPM-era programming tactics, where we cared only about creating more brief-listening occasions and perhaps made that a self-fulfilling prophecy. I hope the Nielsen adjustment is a game-changer for radio, but it won’t be “game over.”

Share This:

  • Click to share on LinkedIn (Opens in new window) LinkedIn
  • Click to share on Facebook (Opens in new window) Facebook
  • Click to share on X (Opens in new window) X
  • Click to share on Threads (Opens in new window) Threads
  • Click to share on Reddit (Opens in new window) Reddit
  • Click to print (Opens in new window) Print
  • Click to email a link to a friend (Opens in new window) Email
  • More
  • Click to share on Mastodon (Opens in new window) Mastodon
  • Click to share on Bluesky (Opens in new window) Bluesky
  • Click to share on Telegram (Opens in new window) Telegram
  • Click to share on WhatsApp (Opens in new window) WhatsApp
  • Click to share on Pocket (Opens in new window) Pocket

Comments

Log In

Join Now | Lost Password?

Comments 3

  1. Tim Rank's avatar Tim Rank says:
    1 year ago

    “I hope a projected 24%-more audience delivery will indeed improve radio’s relationship with advertisers.”

    As a media buyer I will say it will not. This logical thought presupposes that stations are actively selling against audiences or ratings, and they are not. Radio stations are selling against “experience” and share (for whatever ridiculous reason…that measure is important to PD’s, not buyers), and pricing based on algorithms/modeling and supply and demand. There is no rate negotiation, no mention of audience sizes, and no understanding of the Media 101 metrics advertisers and agencies value.

    Any attempt to price against Nielsen’s new methodology should be met with resistance. We have heard this argument time and again (PPMs and LPMs for radio/TV, Comscore vs. Nielsen, etc), that now with new measurement finally giving credit for the audiences that already exist, stations should be paid more — and that’s a false premise. For that to happen demand would need to increase demand against static supply, but stations have done such a fantastic job avoiding talking about audience sizes it will be interesting to see the mental gymnastics they go through to try to bring that metric back into the conversation. The “now getting credit” argument simply means we’ve been paying for the audience all this time, so why should we pay more to get the same number of listeners? This and the S&D arguments going back years are the pitfalls in this conversation.

    Want to improve the relationship with advertisers? Look to adopt the streaming model so my ad doesn’t run in an “H” position in your 8 minute stopset.

    Loading...
    Reply
  2. Steve Varholy's avatar Steve Varholy says:
    1 year ago

    “It would have to begin with asking what they want, which radio doesn’t.”

    Amen, Sean. I’m sick of the old men and radio cast-offs on social media saying “young people dont’ listen to the radio” with the implied corrollary that they never will.

    The basic principal of creating something they really want and they will listen has not changed.

    We still have lots of commercial radio targeting baby boomers. And the ones that target Gen-X sound like they were programmed by Baby Boomers and have well burnt out most of the 1990’s grunge to a crisp.

    Radio’s not dead. It’s been put into a coma with a generation of programmers in the business that have no imagination and no williness to play anything other than 50 year old classic rock and 30 year old A/C songs.

    Loading...
    Reply
  3. Greg Rice's avatar Greg Rice says:
    1 year ago

    I have been in both on air and sales management positions for over 35 years. I am now retired from broadcasting and find that my wife and I spend most of our time with Sirius XM. The reason is that the stations in our market (Greensboro/Windton-Salem/High Point)) are seriously lacking in localism. For the iHeart and Audacy stations are so obviously voice-tracked from out of market talent (and I use the term talent loosely). They promote the stations and the music, but as far as serving the community it’s a joke, In addition, 6-8 minute commercial breaks are a total turn off. I cannot believe that local advertisers get results when their ad is being the first in pod. If stations want audience to return they need to reinvent their programming formats.

    Loading...
    Reply

Leave a ReplyCancel reply

Sean Ross

Sean Ross

Sean Ross is a radio business researcher, programming consultant, conference speaker, and a veteran of radio trade journalism at Billboard, Radio & Records, M Street Journal, and others. For more than a decade, his weekly writings have been collected in the Ross On Radio newsletter; subscribe for free here. https://tinyurl.com/mhcnx4u

Recent Headlines

iHeartRadio app
Featured Story

iHeartMedia Continue Video Push With Addition Of Video Podcasts To iHeartRadio App

December 22, 2025
Fox Sports Radio
Featured Story

Jon ‘Stugotz’ Weiner To Join Fox Sports Radio As Part Of iHeartMedia Multiplatform Deal

December 22, 2025
99.9 WFRE Frederick MD Connoisseur Media
Featured Story

Tom Whalen To Retire From Mornings At WFRE

December 22, 2025
1130 WISN Milwaukee
Featured Story

WISN Moves Benjamin Yount To Mornings; Adds Jason Goch

December 22, 2025

RadioInsight Daily

RadioInsight Daily

Get RadioInsight Headlines Direct To Your Inbox At 8pm Eastern Daily.

Please wait...

Thank you for sign up!

  • Capitol Media Group

    Chief Engineer

    Capitol Media Group
    Springfield, IL
    • Full Time
  • Civic Media Inc

    Account Executive

    Civic Media Inc
    Green Bay, WI
    • Full Time
  • Federated Media

    Promotions Director

    Federated Media
    South Bend, IN
    • Full Time
  • WRNJ Radio

    Morning Host

    WRNJ Radio
    Hackettstown, NJ
    • Full Time
  • iHeartMedia

    Editor/Producer for The Jubal Show

    iHeartMedia
    Seattle, WA
    • Full Time
  • iHeartMedia

    Sports – News/Talk Program Director

    iHeartMedia
    Hartford, CT
    • Full Time
  • About RadioInsight
  • Privacy Policy
  • Terms of Service

Copyright ©2025 RadioInsight / RadioBB Networks

Welcome Back!

Login to your account below

Forgotten Password? Sign Up

Create New Account!

Fill the forms below to register

*By registering into our website, you agree to the Terms & Conditions and Privacy Policy.
All fields are required. Log In

Retrieve your password

Please enter your username or email address to reset your password.

Log In
No Result
View All Result
  • Headlines
    • Format Changes
    • People & Places
    • Station Sales
    • FCC Applications
    • Domain Insight
  • Ratings
    • Nielsen Audio
    • Eastlan Ratings
  • Jobs
    • View Jobs
    • Submit A Job
    • Job Dashboard
  • Sean Ross
  • Subscriptions
    • Subscription Info
  • Contact Us
  • Login
  • Sign Up

Copyright ©2025 RadioInsight / RadioBB Networks

This website uses cookies. By continuing to use this website you are giving consent to cookies being used. Visit our Privacy Policy.
%d