The wildly successful Adult Hits stations of the early ’00s — many of them still so — sometimes told listeners that they played “everything.” To the industry, however, they described themselves as “a mile wide and an inch deep.” They mostly combined the best of an Oldies/Classic Hits station and the list of a Hot AC. Any “oh wow” depth came mainly from the late ’70s and ’80s.
Adult Hits stations were nevertheless wide enough to redefine what radio could do and still be considered well-programmed. They also helped confirm that “a little bit of everything” was indeed the real answer to “what do most people like?” rather than a non-answer. In the PPM era, Adult Hits stations were less likely to play 1,100 songs, and their variety was less likely to stand out against other formats, or as Oldies became Classic Hits and expanded.
If Adult Hits stations helped redefine “wide,” it’s time to consider a different class of station: “the double-wide.” A few have come to my attention recently, all with some connection to Ross on Radio readers. One fits under my previous heading of “Oldies XL” — a station older and deeper than PPM-market Classic Hits. Another stretches the “everything that rocks” position even further. One is Adult Hits that goes beyond the usual boundaries.
I’ve written about at least a few similar stations in the last few years. Veteran DJ/TV weatherman R.J. Heim’s Music Through the Tunnel of Time, last spotlighted here in 2022, still promises “all genres, all eras.” Heim also goes where many Adult Hits outlets don’t: current music. So did KTJK (The Raider) Abilene, Texas, one of an intriguing trio of stations profiled here two years ago.
JVC’s WBON (92.1 the Bone) Fort Walton Beach, Fla., launched late last year as a Rock radio counterpart to Classic Hits sister WWAV (The Wave), promising music from six decades. I went back because PD Matt Stone responded to a recent article about the newly eclectic Classic Rock/’90s Alternative mix on KQRS Minneapolis. The Bone can go deep in the ’70s or the ’90s. It also plays a lot of the recent Active Rock chart hits that many stations abandoned after they ran their course as currents.
Here’s WBON on April 22, during a 92-minute afternoon “Shut Up and Rock Block”:
- Buckcherry, “Sorry”
- Smashing Pumpkins, “I Am One”
- Royal Blood, “Lights Out”
- Blind Melon, “No Rain”
- Ted Nugent, “Dog Eat Dog”
- Blue Stones, “Shakin’ Off the Rust”
- Weezer, “In the Garage”
- Van Halen, “Hot for Teacher”
- Goldfinger, “99 Red Balloons”
- Sleep Token, “The Summoning”
- Sublime, “Doin’ Time”
- Gregg Allman, “Midnight Rider”
- Minutemen, “Corona”
- Default, “Wasting My Time”
- Green Day, “Nice Guys Finish Last”
- Foo Fighters, “Making a Fire”
- Franz Ferdinand, “Take Me Out”
The KQRS article also brought forth Brian Olivarri on behalf of the Hill Country’s KHUK (106.5 the Hook) Granite Shoals, Texas, a broader take on Adult Hits. Even after I had finished my initial listening to The Hook, its website stayed open on my browser, and I would see segues such as “Runnin’ Down a Dream” by Tom Petty to “Paid in Full” by Eric B & Rakim to “The End of Heartache” by Killswitch Engage. There was also “Smells Like Teen Spirit” into “Act Naturally” by Buck Owens and “Play that Funky Music” by Wild Cherry.
Here’s the Hook at 4 p.m. on April 25:
- Green Day, “Brain Stew/Jaded”
- Barry White, “Never, Never Gonna Give You Up”
- Wallflowers, “One Headlight”
- Chuck Berry, “Maybelline”
- Pink Floyd, “Money”
- Soundgarden, “Black Hole Sun”
- Murray Head, “One Night in Bangkok”
- Kenny Rogers & First Edition, “Just Dropped In (To See What Condition My Condition Was In)” — with a sweeper saluting “the best music to come out of Texas”
- Alice in Chains, “Brother”
- Dr. Dre, “The Next Episode”
- Hole, “Malibu”
- Alabama Shakes, “Hold On”
- Alan Jackson, “Summertime Blues”
The Hook is in the backyard of KBPA (103.5 Bob FM) Austin, one of the earliest and most consistent Adult Hits outlets, now effectively the Classic Hits outlet for the market as well. It says something about the shifting of the programming landscape over the last 20 years that the opportunity would open up to match Bob’s width with something even broader.
Finally, WRGG Greencastle, Pa., might as easily belong in our “Oldies XL” categorization of older/deeper ’50s-through-’70s outlets. It’s more ’50s/’60s-focused than the others, but it’s got the depth, and I wanted to share it. The community oldies outlet came to my attention through the station’s Hollis Zimmerman. Here’s a brief stretch of middays from late April.
- Joe Bennett & Sparkletones, “Black Slacks”
- Don & Juan, “What’s Your Name”
- Barry White, “You’re the First, the Last, My Everything”
- R. Dean Taylor, “Indiana Wants Me”
- Righteous Brothers, “You’ve Lost That Loving Feeling”
- Cream, “Sunshine of Your Love”
- Dawn, “Candida”
- Everly Brothers, “This Little Girl of Mine”
- Patsy Cline, “She’s Not You”






















wowsers. WBON nailing it down without a Chili Pepper, Metallica or whatever the current version of fake alt could be Bastille or maybe Imagine Dragons in sight. Well done.
Thanks Dave. We hope you check us out. WBON FM in the app store will get ya there.
All the songs shown played on WRGG were regularly played on the “old” WCBS-FM 101.1 New York! The number one oldies station in the nation until it briefly switched to the “Jack” format in June 2005. Of course, WCBS-FM then switched to an 80’s based oldies format that it still plays today.
You might check out “The Oasis” -the simulcast of WOXY/WNKR in suburban Cincinnati/Dayton. Every song is a guaranteed hit-with immediate familiarity to our listener-ranging from “Bohemian Rhapsody” to “Fly Me To The Moon” (Frank Sinatra). I love the comparison as a “double wide”. It seems that the consumer has exposure to music from more than 6 decades these days and there’s more proof that a hit is a hit is a….. http://www.wherethemusicwent.com
Definitely enjoyed the Oasis for that reason. Also kinda hearkens back to your wide Oldies era in San Diego! At that time, it seemed like it would be harder to take the Jack formula to an established format (Rock, AC, Oldies), but as the Classic Hits center moved away from ’60s/’70s (and increasingly even early ’80s), it feels like there’s more freedom to define the format as you want.
I’m new here. But I’ve been reading these Radio Insight blog pages frequently. Most of my days behind the keyboard here in Chicago have some type of music station playing in the background [most often in the Brave browser]. Sometimes it is a terrestrial radio digital subchannel, but more often, it is an internet-based station, usually outside the U.S.A.
The World-Wide Web site where I learn about these stations is h**ps://onlineradiobox.com/genres/ (broken because I could be considered a spammer). I concentrate on stations which share their playlists (over the past seven days). My new station discovery consists of when a song which I consider an ‘outlier’ to a certain format plays on it. The above W-WW site lets me click on the title to learn who else has played it in the past week?
[My internet connection is 1GB symmetrical.] From there, I can click thru to the other songs that station has played. There is the sporadic snag that a station can categorize itself as one (or more) format, but has actually changed its format since then and has not gotten around to modifying its online definition.
I save the stations to which I listen on a text file. I categorize them in formats like “Jazz”, “Adult R & B”, “Dance”, “Classic Rock”, and “Hits” – both classified by years | decades, and otherwise, et cetera. But the largest stack of stations I have to describe as “Eclectic”. Yes, there are definite *train wrecks* as far as segues go, but I am not really bothered by that. What makes me tune away is *when the music stops for a commercial break*. OK – this is its business model. But there are numerous stations *which have no ads*, so why should I spend time with them?
One of the other radio reporting W-WW sites I check is Fred Jacobs’. He is still trying to convince the people to whom he is pitching his ideas on “How many minutes of ads can I run each hour?”
He is on the terminal spiral.
But he can’t communicate that to his clients, because they would then cease his service.
The contemporary music listener _does not want to hear ANY commercials_. If they were listening to one of his advised stations, _they tune out the moment they first hear an ad_.
He is most responsible for the “Classic Rock” format. But what was evolutionary in the 1980s is not effective for the 2020s.
Anyhow, the most recent “Eclectic” station to which I have listened is ‘The Clique Radio’ of Lehighton, PA. My goodness – this station is all over the place. “Contemporary Hit Radio” should be this wide. Go look at its playlists.
It has no ads. It asks for donations (but is not insistent about it), and it has a merchandise store. This works for NPR and Christian AC stations. I hope it is sufficient for it.
Another voice heard from who thinks all music on the Internet can be free.
Do let us know when your favorite site runs out of money to continue operating.
Whether or not you like it — and it’s obvious that you do not — broadcast radio is free BECAUSE of the commercials, and it has always been this way. When it stops being this way, static will replace the radio signals, because the stations will have gone permanently silent.
Even now, the percentage of listeners who accept advertising is a fair trade for the rest of radio’s entertainment package is still bigger than any other piece. The model still works better if broadcasters offer a bearable number of spots, but it’s not true for most listeners that the only acceptable number is zero. The model also works better if the spots are better–more comic relief, less debt relief.
This! Not ten minutes of ads in a break. Not lame copy ads that start with “Attention (fill in the blank)…” Also commercial radio that is engaging, and actually serves both the advertiser and listener at the same time.
After living through the 1980s and 1990s without radio options that worked for me, I do not take the current era of stations like these for granted.
Great article Sean. I miss the old PEAK days. You were right, a mile wide and an inch deep. Keep up the good work.
Joel Grey aka Larry Hevner
“’Runnin’ Down a Dream’ by Tom Petty to ‘Paid in Full’ by Eric B & Rakim’ to ‘The End of Heartache’ by Killswitch Engage.”
I can’t remember the last time I read a sentence in an industry trade story and thought to myself, “F*** YEAH!”
Sean, thank you. This means a lot to us!
Sean, thank you for taking the time to check out ‘The Bone’ and including us in your article. We are kind of like a adult/classic hits but instead of hits, it’s rock from all over the place. It is neat to see some other stations getting off the 300-song beaten path. If radio has a path forward, I believe it will be through unique and interesting stations that challenge the audience to live outside of the box a little.
WWAV has actually been a go to of mine for about the last four months. I’ve heard them go from Frank Sinatra to Ed Sheeran, and The Kinks to Nelly. I also like that their center appears to be 90s and 2000s pop-rock rather than the 80s that many Variety Hits stations tend to focus on. I’ll have to check out the Hook.
The hook is great, imaging on point, and great core. They honor top adult hits categories which allows them to deviate a few times an hour, they know what they’re doing.
Thank you very much, Brandon! Gotta admit, your “imaging on point” comment made my dad!
Brian, the Hook is stellar! Made me have to look to make sure I was on the same station several times. Haha. Nice work.
Matt, I got a chance to ride the Bone a while last week….incredible work! I think that’s what an active/mainstream rocker sounds like in this era. If anyone tells me “rock radio is dead” I’m pointing them your way!
Bob, Thank you for checking out the WWAV. It’s great to hear we are hitting close to the mark we are aiming for.