I’ve had a lot of fun listening to the radio today. I’ve been listening to radio stations that are at a 1 share, or below, in Nielsen PPM markets. Often, when Radioinsight prints the monthly ratings, I make a point of catching up with the top-rated stations or biggest gainers. When the Holiday ratings book came back, I did something different.
It’s important to point out right away that I was looking for gems and audio tourism. The stations I decided to feature from my listening day were mostly stations that weren’t designed for boxcar numbers. In this day and age, there are a lot of stations — primarily among the contemporary formats that have struggled in the streaming age — with surprisingly low numbers. I was looking for something else. (Also, to be fair, during the Christmas ratings, many other stations are compressed or see their lowest numbers of the year.)
I did, over the course of the day, hear a lot of radio stations that sounded like a 1 share, and I’m not writing about those. I heard several that were jockless. I heard a few automation accidents. The stations featured here are different and in keeping with the column’s usual “praise in public” policy.
Also, during the course of my day, I cheated a little, using the 1-share criterion to catch up with some stations that are higher-rated in their home markets. But WMGQ (Magic 98.3) New Brunswick, N.J., has a 1 share in New York, and WPST Trenton, N.J., has a 1 share in Philly. (That being the case, WPST’s footprint in Philadelphia has always been big enough to break music there, and is actually having an odd national impact now.) Mostly, though, I was glad that the exercise brought me to some stations worth sharing that I should have caught up with a while ago.
I first encountered “Listener-supported, sun-powered” KTSN (Sun Radio) Austin nearly a decade ago, visiting it at a live broadcast from Nashville at the annual Americanafest. It sounds closer to the Triple-A center now, but I want to be careful saying that about a station that plays Chappell Roan and ZZ Top in the same hour. I also encountered a great song that was never played on any other monitored radio station. The :00 ID promises “music variety with a little taste of Texas every hour.”
Sun Radio was at a 1.2 over the holiday, but has been as high as a 1.9 in recent months. Because Sun Radio is a non-comm, when p.m. driver Chris Mosser did a teaser, it was for something that was coming up in 40 seconds, not six minutes. He was also promoting the station’s Texas Radio Live, a weekly station fundraiser/concert series. Here’s Sun Radio just before 4 p.m., January 31:
- Chappell Roan, “Good Luck Babe”—in the hour before, it played Harry Styles, “Watermelon Sugar”
- Joe Walsh, “Life’s Been Good”
- Maggie Rogers, “In the Living Room”
- The National, “Rylan”
- Joseph, “White Flag”
- Teddy Swims, “Lose Control”
- My Morning Jacket, “Time Wasted”
- Pink Floyd, “Learning to Fly” — on stations where segues matter, a good- sounding one
- Cure, “Boys Don’t Cry”
- Kiely Connell, “Damn Hands” — the aforementioned great song
- Paul Thorn, “Tough Times Don’t Last”
- Jimmy Cliff, “The Harder They Come”
- Marcus King, “Hard Working Man”
- Mavis Staples, “Worthy”
- Amos Lee, “No More Darkness, No More Light”
- Ripe, “Settling”
- ZZ Top, “Just Got Paid”
- Jason Isbell, “Cover Me Up” —the first of three for his birthday at 5 p.m.
I already liked WDGY Minneapolis by the time it played “A Little More Love” by Olivia Newton-John — a childhood favorite that is definingly the type of song you need an older/deeper “Oldies XL” station to hear. But then middayer Sue Falls said as much on the backsell, adding that there is “nobody else in town playing Olivia like we do on Wee-Gee.”
WDGY is an AM/translator combo using the heritage Top 40 call letters of the market’s “original rock ‘n’ roll station.” It’s also “the station you can always come home to.” Like Sun Radio, it’s a lot more of a full-fledged radio experience than a lot of bigger radio stations. There were a good number of listener shout-outs when I listened, and most of them were in conjunction with plugs for the station app.
WDGY was at an 0.9 share 6-plus over Christmas but has been at a 2 share in recent months. Here’s the station at 2:15 p.m., February 3:
- Pointer Sisters, “I’m So Excited”
- Jim Croce, “You Don’t Mess Around with Jim”
- Beatles, “Drive My Car”
- Cars, “My Best Friend’s Girl”
- Elton John, “Crocodile Rock”
- Bobby Fuller Four, “I Fought the Law”
- Friends of Distinction, “Love or Let Me Be Lonely”
- Crosby Stills & Nash, “Southern Cross”
- Olivia Newton-John, “A Little More Love”
- Van Morrison, “Wild Night”
- Marvin Gaye, “Mercy Mercy Me (The Ecology)”
- Kiki Dee Band, “I’ve Got the Music in Me”
- Bob Seger & Silver Bullet Band, “Still the Same”
- Jimmy Buffett, “Cheeseburger in Paradise”
- Four Seasons, “Working My Way Back to You”
- Nilsson, “Everybody’s Talkin’”
I realized in listening to Noncomm KTSU (The Choice) Houston (0.9-1.1) that I tend to enjoy any radio station whose top-of-the-hour ID starts out with “from …” (because it’s usually followed by “… the top of … ”). KTSU’s is “from the campus of Texas Southern University, serving your entire family … our entire community.”
KTSU is Adult R&B in mornings, Jazz during much of the day, and Hip-Hop at night, simulcasting its progressive Hip-Hop sister station, The Vibe. KTSU has helped fill the Smooth Jazz hole long left by commercial radio, but when I first heard morning host Chilly Bill Smith, the station was also playing a lot of the ’80s R&B gold once associated with KMJQ (Majic 102) before it modernized — Gap Band, Switch, etc.
KTSU was heavily promoting its upcoming Valentine’s Day concert and dinner, “A Night of Love.” Midday host Donna Franklin, who took over to host the Smooth Jazz Colors, reminded listeners that she would be there by herself this year, and encouraged them to do the same if they were between relationships.
Here’s KTSU at 8:30 a.m. on February 4, beginning with its Adult R&B Morning Vibes and into the Smooth Jazz programming:
- Lil Duval, “Smile (Living My Best Life)”
- J. Paul Jr. & Zydeco NuBreedz, “Love in the Stable”
- Rahsaan Patterson, “Don’t You Know That” — the Luther Vandross song
- Travis Greene, “Made a Way” — gospel
- Chapter 8, “Ready for Your Love” — a listener request for Anita Baker’s former group
- Kirk Whalum, “Do You Feel Me” — the show’s theme song
- Ragan Whiteside, “Steppin’ Out”
- Kim Scott, “Like Butter”
- Cal Harris, “Lemon Salt”
- Ann Hampton Callaway f/Melissa Manchester, “New Eyes” — similar to Manchester’s one R&B chart hit, “Lovers After All”
- Chris “Big Dog” Davis, “Low Down”
- Jamie Williams, “Fireside”
- Lin Rountree, “This Time Around”





















Despite neither breaking a 1-share, the Triple A noncomms in Denver are super-enjoyable. Willobee is doing a phenomenal job with KVOQ (Indie 102.3), and there’s a good crew up at KJAC (105.5 The Colorado Sound). The staffs at both pay a lot of attention to the music they play, there’s a focus on breaking new and local music, and both have good playlists.
Thanks for the coverage and analysis of WDGY in Minneapolis/St. Paul. It is locally owned, programmed and hosted with multiple local on-air talents who each have decades of on-air experience in the area. WDGY is also one of a very few radio stations in this market doing an external marketing campaign, with ads on dozens of Metro Transit buses in the area, featuring the artists played and the various ways to listen. The owners are third-generation broadcasters.
Thanks, Marsh. So glad you got to see the article. Really enjoyed hearing the station and always glad when real radio finds a viable place.
Sean, I’ll take this one more step if you don’t mind, and I don’t mind that this is public. The local Borgen family who owns WDGY now has brought a unique local way to engage listeners, plus extend the careers of 8 incredible talents, most of whom I’ve worked with in the past in corporate radio. Yes, 8, with a combined experience of 200 years of on-air experience, mostly in the Twin Cities. I’ll call out two unique programs, which might not work on a national platform. Market veteran and musicologist John Pratt hosts a locally, written and produced show every Saturday night at 6pm central called “WeeGee Wayback Wonders”. It is a drop an awesome look back of the sounds of WDGY from the mid60s to mid70s, including a featured WDGY playlist from the same date in one of those years. It is a well-listened to and sponsored show. Also, Janey Raven, who has been with WDGY for several years, hosts “Raven’s Rock N Roll Party, with a custom theme every Friday night beginning at 6pm. We are lucky. I am also for being a 50 -year radio veteran, I get to be the GM of the station I grew up with and first won a contest on at age 10 as my swan song in radio. As our company president Brent Borgen likes to say, “we are a small and mighty group”. Finally, while the official call letters are assigned as WDGY-AM, we have found that the seven methods of audio distribution are an excellent way to get this local audio feed great exposure. Steaming continues to grow! Thanks again for the notes! Marsh
I’m listening to WDGY on my computer with headphones and the audio processing is bizarre! Severe stereo separation with heavy echo, and some records sound like disco mixes. I didn’t even recognize “The Bitch is Back” until the vocal kicked in! Storz engineering wizard Dale Moudy’s ghost is probably pounding frantically on the lid of his coffin. Apart from that, I have to give them high marks for honoring the legacy of WDGY and doing it with live jocks. And two segues I heard — “Go All the Way” into “The Bitch is Back” and a sweeper into “Oh Sherrie” — were sublime. I’d probably like it better on AM, though.
Well, this is really interesting. Are you listening on the website or streaming? The comment about the audio processing is one we haven’t heard before. As GM, I actually do lots of listening on the HD, or the app based on where I live and the various signals, and have never heard about this concern. WDGY has eight on-air personalities, with a combined over 200 years of on-air experience, mostly in our area. This is a fun project, supported by the third generation of local owners and the advertising community. The station promoted externally and has plans for many on-location broadcasts in 2025. Definitely counter to what is going on in a major part of the corporate radio world. Try the dedicated app if you get a change. Thanks for the comments. Marsh/GM of WDGY.
Hi, apologies if this is showing twice. My original reply isn’t showing in my feed. Thanks for this information. We feed the audio 7 different methods. I’ve never heard about this audio issue before but will check it out. Most of the listening is via the translator FM’s, the market-wide FM HD, the dedicated app and the AM. This is a labor of love for the third-generation owners, 8 different on-air people with over 200 years of combined on-air experience in the Twin Cities. The owners also are invest in external marketing. As a 50-year media/radio veteran, I appreciate the feedback. It is lots of “fun” work for the entire staff. lots…but we are all radio people, with backing by the local Borgen family and our advertisers. We appreciate the nod to WDGY and do our best to honor its legacy.
Hi Marsh! I was listening on the website. It may even have been an issue at my end somehow, because I’m listening again today and it sounds fine. I really like what you’re doing and am always gratified to see a local station owner make this kind of radio possible. All my best to you and all at WDGY!
Thanks again for the update.