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Fresh Listen: KHKS (106.1 Kiss-FM) Dallas

Sean Rossby Sean Ross
September 25, 2019

106.1 Kiss-FM KHKS Dallas Kidd KraddickDuring Top 40’s worst moments—the time before “Sucker” by the Jonas Brothers—you could look at the monthly PPM ratings and occasionally see some of the market’s powerhouses start to look a little more vulnerable. Stations like KQMV (Movin’ 92.5) Seattle and WXKS-FM (Kiss 108) Boston were still buoyed by their morning shows, and never in danger of becoming like their four-share peers in other markets. But you still wondered how long they could defy gravity.

So it was encouraging for the format to see KHKS (106.1 Kiss-FM) open up its market lead in the just-released August PPM ratings, up 5.8-6.7. Kiss was one of CHR’s first rebound success stories in the ‘90s. For most of the station’s history, it’s been one of CHR’s best-executed stations, something confirmed when the station’s Kidd Kraddick Morning Show was able to continue after Kraddick’s passing.

Kiss is still a well-oiled machine—hit oriented, PPM-tight. But there are brush strokes. When I took a Fresh Listen on Wednesday, the personality breaks were still impactful, not perfunctory. There are also musical brush strokes: even as the station that invented the “fast on rhythm, slow on everything else” CHR template that still dominates decades later, under PD Patrick Davis, Kiss has often been the first major-market iHeart CHR on those rock crossovers that do make it through.

At this moment, the most noticeable thing about Kiss’ music is Billie Eilish. “Bad Guy” is a power, but “When The Party’s Over” remains a significant presence. Then there’s “My Strange Addiction.” Nobody else in any format is playing it besides Sirius XM Alt Nation. It’s not on Spotify’s Today’s Top Hits. On Kiss, it’s gotten 160 spins over the course of the last five weeks or so. It’s one of the best acts of new music enterprise in any format, and yet you would never hear Kiss and think they weren’t playing the hits.

Here’s Kiss 106.1, just before 1 p.m. on Sept. 4:

  • Ava Max, “Sweet But Psycho”
  • Khalid, “Talk”
  • Billie Eilish, “When The Party’s Over”
  • Bruno Mars, “Locked Out Of Heaven”
  • Lizzo, “Truth Hurts”
  • Panic! At The Disco, “Hey Look Ma, I Made It”
  • Dua Lipa, “New Rules”
  • Ed Sheeran & Justin Bieber, “I Don’t Care”
  • Ariana Grande & Social House, “Boyfriend”
  • NF, “Let You Down”
  • Jonas Brothers, “Sucker”
  • Shawn Mendes & Camila Cabello, “Seniorita”
  • Rihanna, “We Found Love”
  • Post Malone f/Young Thug, “Goodbyes”
  • Lewis Capaldi, “Someone You Loved”
  • Khalid, “Right Back”

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  • Share on Mastodon (Opens in new window) Mastodon
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Sean Ross

Sean Ross

Sean Ross is a radio business researcher, programming consultant, conference speaker, and a veteran of radio trade journalism at Billboard, Radio & Records, M Street Journal, and others. For more than a decade, his weekly writings have been collected in the Ross On Radio newsletter; subscribe for free here. https://tinyurl.com/mhcnx4u

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Fresh Listen: KHKS (106.1 Kiss-FM) Dallas

Sean Rossby Sean Ross
September 25, 2019

106.1 Kiss-FM KHKS Dallas Kidd KraddickDuring Top 40’s worst moments—the time before “Sucker” by the Jonas Brothers—you could look at the monthly PPM ratings and occasionally see some of the market’s powerhouses start to look a little more vulnerable. Stations like KQMV (Movin’ 92.5) Seattle and WXKS-FM (Kiss 108) Boston were still buoyed by their morning shows, and never in danger of becoming like their four-share peers in other markets. But you still wondered how long they could defy gravity.

So it was encouraging for the format to see KHKS (106.1 Kiss-FM) open up its market lead in the just-released August PPM ratings, up 5.8-6.7. Kiss was one of CHR’s first rebound success stories in the ‘90s. For most of the station’s history, it’s been one of CHR’s best-executed stations, something confirmed when the station’s Kidd Kraddick Morning Show was able to continue after Kraddick’s passing.

Kiss is still a well-oiled machine—hit oriented, PPM-tight. But there are brush strokes. When I took a Fresh Listen on Wednesday, the personality breaks were still impactful, not perfunctory. There are also musical brush strokes: even as the station that invented the “fast on rhythm, slow on everything else” CHR template that still dominates decades later, under PD Patrick Davis, Kiss has often been the first major-market iHeart CHR on those rock crossovers that do make it through.

At this moment, the most noticeable thing about Kiss’ music is Billie Eilish. “Bad Guy” is a power, but “When The Party’s Over” remains a significant presence. Then there’s “My Strange Addiction.” Nobody else in any format is playing it besides Sirius XM Alt Nation. It’s not on Spotify’s Today’s Top Hits. On Kiss, it’s gotten 160 spins over the course of the last five weeks or so. It’s one of the best acts of new music enterprise in any format, and yet you would never hear Kiss and think they weren’t playing the hits.

Here’s Kiss 106.1, just before 1 p.m. on Sept. 4:

  • Ava Max, “Sweet But Psycho”
  • Khalid, “Talk”
  • Billie Eilish, “When The Party’s Over”
  • Bruno Mars, “Locked Out Of Heaven”
  • Lizzo, “Truth Hurts”
  • Panic! At The Disco, “Hey Look Ma, I Made It”
  • Dua Lipa, “New Rules”
  • Ed Sheeran & Justin Bieber, “I Don’t Care”
  • Ariana Grande & Social House, “Boyfriend”
  • NF, “Let You Down”
  • Jonas Brothers, “Sucker”
  • Shawn Mendes & Camila Cabello, “Seniorita”
  • Rihanna, “We Found Love”
  • Post Malone f/Young Thug, “Goodbyes”
  • Lewis Capaldi, “Someone You Loved”
  • Khalid, “Right Back”

Share This:

  • Share on LinkedIn (Opens in new window) LinkedIn
  • Share on Facebook (Opens in new window) Facebook
  • Share on X (Opens in new window) X
  • Share on Threads (Opens in new window) Threads
  • Share on Reddit (Opens in new window) Reddit
  • Print (Opens in new window) Print
  • Email a link to a friend (Opens in new window) Email
  • More
  • Share on Mastodon (Opens in new window) Mastodon
  • Share on Bluesky (Opens in new window) Bluesky
  • Share on Telegram (Opens in new window) Telegram
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Pocket (Opens in new window) Pocket
Sean Ross

Sean Ross

Sean Ross is a radio business researcher, programming consultant, conference speaker, and a veteran of radio trade journalism at Billboard, Radio & Records, M Street Journal, and others. For more than a decade, his weekly writings have been collected in the Ross On Radio newsletter; subscribe for free here. https://tinyurl.com/mhcnx4u

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Nielsen Audio Arbitron

Nielsen Fall 2025 Ratings Releases 2/9

February 9, 2026
Big Radio Janesville Beloit

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February 9, 2026
Neon 93.1 KYMT Las Vegas

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February 9, 2026
Radio Advertising Bureau RAB

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