It’s a question I think about on a regular basis, but particularly in early January as the anniversary of WKTU New York approaches. Is there enough current mainstream music available to do a dance/pop format if a station like WKTU launched today? It’s a particularly charged question when most current formats are struggling with available product.
For at least one major-market station this month, the answer was yes. Evanov’s CIDC (Z103.5) Toronto is the North America’s longest-running major-market dance/CHR. While Z103.5 has always been a mix of dance, Hip-Hop, R&B and pop, it recently repositioned from “All the Hits” to “Feel the Beat” under new PD/morning co-host Ronnie Stanton and has leaned further into dance in the face of two format rivals.
Z103.5’s powers, according to Mediabase, are Raye, David Guetta/Teddy Swims/Tones and I, Bruno Mars, Olivia Dean, and Disco Lines x Tinashe—two songs with connections to the dance world, two uptempo multi-format hits that are danceable, and the midtempo Dean title that a station like WKTU would have treated as rhythmic in 1996 (and plays now).
A station approaching dance from the CHR side would also have the advantage of an ongoing stream of titles with a retro-disco feel—Sabrina Carpenter’s “Tears,” Sombr’s “12 to 12,” and Tame Impala’s “Dracula” among them. Those songs aren’t always acknowledged by the dance radio community, but they qualify sonically if you’re taking a broader approach. (Z103.5 still has “Tears” as a recurrent; it hasn’t played the others.)
Then there’s Harry Styles’ new “Aperture.” While some Mainstream Top 40 PDs have complained about its length and legit dance feel, it’s an event for dance stations when a superstar artist delves into the genre. (Stanton says he’s happy to have a superstar record that competitors might not play as enthusiastically.)
I took a Fresh Listen to both Z103.5 and WKTU this week, as well as a First Listen to an online station taking a much different approach.
Z103.5 has just kicked off its “Dream Vacation” promotion and on Monday morning, Stanton and morning co-host Mel were qualifying the 103rd texter. Here’s Z103.5 just before 2 p.m., January 21:
- Chromeo, “Jealous (I Ain’t With It) (Canadian)
- Moliy x Silent Addy f/Shenseea, “Shake It To the Max”
- Anjulie, “Brand New Chick” (Canadian)
- Bruno Mars, “I Just Might”
- Underworld, “Born Slippy”—with a “wayback” stager; the second time in several weeks the song has appeared in a Toronto station monitor, following Alternative CFNY
- Loud Luxury, “Crash” (Canadian)
- Doja Cat, “Kiss Me More”
- Armin Van Buuren f/Sacha, “Set Me Free” (Canadian)
- Alessia Cara, “Scars to Your Beautiful” (Canadian)
- David Guetta, Teddy Swims, Tones and I, “Gone Gone Gone”
- Ne-Yo, “Closer”
- KX5, Kaskade, Deadmau5, “Escape” (Canadian)
- Renforshort, “Feeling Good” (Canadian)
- Flo Rida, “Low”
- Ed Sheeran, “Bad Habits”
When we saluted WKTU on their 25th anniversary, we included music monitors from the station’s 1996 launch through 2021. The station continues as a mostly Rhythmic gold-based Hot AC. It currently reports to the CHR chart, although radio people generally hear it as competing more directly with Hot AC WNEW than CHR Z100. A sweeper describes it, accurately, as “NYC’s most unique music mix.”
Here’s WKTU just before 10 a.m., on January 28:
- Taylor Swift, “Opalite”
- Fergie, “Big Girls Don’t Cry (Personal)”
- Justin Timberlake, “Mirrors”
- Harry Styles, “Aperture”—morning co-host Astra, solo during this hour, used the intro for a content break about female friends being the best judge of a couple’s longevity
- En Vogue, “Don’t Let Go (Love)”
- Rihanna, “Only Girl (In the World)”
- Leona Lewis, “Bleeding Love”
- One or Eight, “DSTM (Don’t Stop the Music)”—with a “today’s rhythm” sweeper
- Whitney Houston, “I’m Every Woman”
- Sia, “Chandelier”
- New Kids on the Block, “You Got It (The Right Stuff)”
- Nelly Furtado, “Say It Right”
- Bruno Mars, “I Just Might”
- Jennifer Lopez, “Love Don’t Cost a Thing”
- Mariah Carey, “Fantasy”
While discussing the availability of dance product, it’s worth noting that at least one longtime format advocate is able to find enough current music for an all-freestyle channel. While the subgenre was considered polarizing even in its late ‘80s-through-’90s heyday, it comes across as melodic and much more mainstream after years of heavier EDM.
Here’s a listen to A&R/promo veteran John Parker’s Live 365 channel, Freestylin’ Radio at 4:15 p.m., January 21:
- TKA, “Maria”
- Luis Marte f/Jenaro, “Those Days”
- Aby Cruz, “Make Peace”
- Odalis, “Do It Again”
- Nyasia, “Mimosa (With Just One Touch)”
- Kelly Clarkson, “Because of You (Remix)”
- ElDee, “He Don’t Love You”
- Jets, “Crush On You”
- Gabrielle Garcia, “Distance Feeds the Fire”
- Julie, “Crush”—2025 remake of the Jennifer Paige hit
- Joyce Sims, “Lifetime Love”
- Rebekka & Luis Marte, “Meant to Be”















Thanks for the spotlight on “Freestylin’ Radio”. I’ve been a fan of the music for a long time but it took a deeper dive than just the classics to discover some of the great music that’s been released in the genre over the last 18 months. Definitely a new group of talent that is up and coming that I believe we will hear from in the coming months on a bigger scale. Again, thanks for all you do to help expose stations doing something a bit outside of the mainstream.
There’s a lot of amazing and well-produced pop-dance releases out there, certainly enough to fill any radio playlist. They’re just not on major labels. These stations need the guts to step outside the norm, do a little music discovery, and play these releases if they feel it fits their format.
Hey Kevin, I do think that Columbia, Sony, Universal and others would disagree with you about dance music not being released on majors. So might Calvin Harris, Marshmello, James Hype and many others! They are totally on it…and I agree more programmers need to step outside the norm there is so much good stuff out there!
As a programmer specializing in dance music and pop radio I firmly believe a Dance CHR can thrive in every major market, such as NYC, LA, and Chicago.
Programming is one thing… Can you monetize and sell it to advertisers? That has been the problem with the format for the past 40+ years.
Here in the Philadelphia market, I ALWAYS felt like a station leaning on Rhythmic Currents and Recurrents/Gold but with PLENTY of non-Rock Hot AC staples could compete for adult females.
There have been Rhythmic attempts, but they’ve always felt too heavy-handed in one direction or another (too much “disco” or too “urban,” for a couple examples).
However, in the current world of terrestrial radio, I think the window has closed. For example: Reading this story made me ask Google Gemini if there’s “a commercial-free online station that plays music similar to WKTU New York.”
Hey Miguelito, did Google Gemini tell you about c895/KNHC in Seattle? Longest running dance music radio station in the US and we have always been inspired by WKTU. We also are non-profit and non commercial! I will have to go have a chat with Gemini if we didn’t come up haha. Also are audience clocks in at over 50% female but…that could be a Seattle thing.
It did not recommend c895, but what it DID recommend wasn’t even close to KTU! I’ll be giving c895 a listen ASAP. Thank you!
We listened while we made and ate dinner…and it’s still on. Sounds great! Thanks for the advice!
As the PD for c895/KNHC in Seattle, I find this article super interesting! I do have to dispute the claim that CIDC is the “North America’s longest-running major-market dance” radio station as they signed on in 1987 and we’ve been on air since 1979 and running a dance format since the early 1980s.
As a passionate fan of the format and the genre on a personal level, I do really appreciate that there is a place for dance music to live on good ol’ fashioned radio at a station like CIDC, but I find the comments on this post…troubling. House music is the highest trending genre for people under 25, is radio really so disconnected as to see that it is not viable? It has been over 15 years since the height of EDM and yet the industry continues to discount the genre. Festivals like Coachella have featured over 50% dance acts. This seems like a huge miss for radio to connect with younger listeners as well as support a genre that is more dynamic and interesting than 90% of what is played on the radio.
If anyone would like to chat dance music…hit my inbox!
Hey, we love C89.5 too and can prove it. I certainly should have qualified it as “within the commercial/mainstream universe” where a lot of ‘KTU-inspired stations launched in the late ’90s, sometimes in unlikely markets, and didn’t sustain.
Hey Sean, I totally appreciate and know about the past love, thank you! I was just pretty taken aback for that reason to see that statement. I appreciate you talking about dance music on terrestrial radio. I clearly have a lot of opinions (ha!) but I do think it is fascinating to see such a lack of support in the commercial (and honestly non comm too) radio world for the genre despite the commercial success in other parts of the music industry.
We have some big things planned for this summer to celebrate our 55th if you’d like to consider a new article! Thanks! 🙂